Category: Opinion
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The Pillars Will See You Now (Part 2)
In Part 1 we talked about what game pillars actually are — rules to test decisions against, not directives or mood boards — and the three traps that tend to make them useless: too many, too obvious, and too vague. If you haven’t read it, it’s worth starting there. This is the part where we…
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Everything Should Be Fun (And Other Useless Pillars)
I was brought onto a project as part of a co-development arrangement. My whole team went through an onboarding process that included a presentation of the game and its pillars — the foundational principles that were supposed to guide every decision made on the project. I remember sitting there trying to get my bearings on…
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The Fastest “Team” In The Room
Let me be upfront about something before we get into it: AI is one of those topics where I think nuance tends to get flattened fast. I completely understand why a lot of creatives — artists, musicians, writers, developers — have strong and formal objections to AI tools, particularly around generated art and audio. Those…
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Interpreting Thelonious Monk’s “25 Tips for Musicians” To Game Development
In 1960, saxophonist Steve Lacy was hired to play a series of performances with Thelonious Monk. During that time he wrote down a list of tips — things Monk said, observations he made, advice offered in the way that advice often gets offered in a working band: casually, in the moment, not necessarily intended to…
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Criticism
“If you’re not your own worst critic, you’re probably not very good.” This is a quote I’ve been telling people for years, though in all honesty it’s always been more of a reminder to myself than anything else. I started saying it when I was in school, surrounded by creative people for the first time,…
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The Hypothetical Cost Of A Hypothetical Game
There’s been no shortage of conversation online in recent years about game revenue — new monetization models, rising prices, season passes, microtransactions, the economics of live service. What’s talked about considerably less is the other side of that equation: what it actually costs to make a game in the first place. Most publishers stay quiet…
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Sound High Level Thoughts
A few months back I was given the opportunity to put together and present a talk to the whole studio about game audio. Keeping it under twenty minutes meant staying deliberately high level — which was harder than it sounds, because audio is one of those topics where every thread you pull leads to three…
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Applying Vonnegut To Gaming Pt. 2
(Blogtober Day 10) So picking up from yesterday’s Blogtober entry applying some creative writing tips from the late author Kurt Vonnegut and seeing if I can apply them to game development… “Start as close to the end as possible.” This is an interesting one to try to apply to game development as there can be…
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Applying Vonnegut To Gaming Pt. 1
(Blogtober Day 9) Something I maybe have a bad habit of doing is finding a concept, opinion, or soft guideline talked about in one creative industry and considering how it might be applicable to game design and development. I’ve done this almost subconsciously for a while and I tend to keep it to myself these…
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Generic Can Be Another Word For Useful
(Blogtober Day 7) Generally speaking voice over is recorded in sessions ranging from 2 to 4 hours in length. Typically the aim is to record somewhere in the ballpark of 200+ lines in 4 hours, although depending on the complexity of the lines that number could go down, or even up as high as 400+…